Friday, March 11, 2011
Girl Talk
Picture this: A concert with 372 of your favorite artists collaborating and killing it on stage. I know what you’re thinking, this would be impossible even in your most jaw-dropping fantasy. Think again. Greg Gillis, aka Girl Talk, makes dreams come true from his fingertips by emitting fresh mixes of music from his top choice of musical instruments, his laptop. This Pittsburgh native is more than just a hometown hero; he’s out to take over the music world and bring our favorite artists along with him.
Gillis is breaking the mold of music, starting with his stage name Girl Talk. “It wasn’t a reference to anything specifically, but it was somewhat calculated in an effort to not sound like a male laptop artist. I wanted something very pop culture.” Not only is Girl Talk breaking misconceptions with his name, but he is reinventing the music scene altogether.
Girl Talk’s latest release All Day consists of 372 overlapping samples of music, a number sure to overwhelm anyone. “It’s a huge project to really put together an album,” Gillis confesses. “It’s a slow process too. A lot of the work I do with the samples goes with just cataloging them in a system I can understand and having documents that reference where I can find things.” Organization is key for Girl Talk, since pulling song samples isn’t as simple as some people might think. “Going into the album it is kind of overwhelming, also in terms that there is 372 samples on the record, but there may have been a few 1,000 samples laying around on my computer. It’s just a matter of taking it slow, I try to be as calculated as possible.”
There are still bound to be some skeptics regarding Girl Talk's unique take on music. “I think a lot of people hear it and they say ‘Oh, he just layered together a bunch of pop songs and that must have been fun for him to do and it’s fun to listen to, that’s it.’ So when people think that, it’s a compliment in a lot of ways, because it actually is very detailed.” Girl Talk takes pride in producing a clean-cut album that sounds effortless. “I think a part of it for me is to put something together that’s really complicated, but ideally when people hear it, it just flows smoothly and sounds like a cohesive piece of work.”
Another thing that helps Girl Talk create a cohesive album is using a combination of the material he’s already made. “On All Day at the beginning with the Black Sabbath and Ludacris bit, that’s something I had played live many times, so I do which parts fit together and how it’s gonna work.” It doesn’t end there though. Girl Talk's final edits can easily turn into a ten hour workday of intricate transitions and minute details. “I don’t expect anyone to hear that and ever imagine the level of detail that goes into it.”
Being made from such an abundance of music, it’s clear that Girl Talk’s work is a reflection of his musical obsession. “I’m a pop music enthusiast and I think the albums reflect that to a certain degree.” You might be thinking Girl Talk is just your average music listener, what makes him so different from the rest of the world who obsesses over music? Well, think about your typical night and compare it to Girl Talk. “Last night I was just sitting around listening to CDs and jumping around on YouTube checking out different tracks. Going through the Billboard Top 100 from 1989 and just looking at those lists, finding songs I might be interested in hearing. I really enjoy going through all that pop music.”
It’s been two years since Girl Talk’s former release Feed The Animals, and he felt the added pressure when making All Day to prove himself as an artist. Pressure that he’d been feeling awhile now. “Going into Feed The Animals I really wanted to prove to people that I wasn’t a one-hit wonder or a novelty, this is something I’ve been working on my whole life. For a while, maybe a year after Feed the Animals, I honestly didn’t think I’d make another record in that style because I thought Feed The Animals sounded the way I wanted it to sound and I didn’t think I could top that.”
Girl Talk admits that it’s hard to avoid criticism in an age with tweets and blogs that share people’s opinion with the world. The added pressure didn't distract him from making a new record, though. “You never want to end on a sour note, that’s why it’s like every record goes further and further. Going into the new record I was focused on doing something that would be better than the last one, and that was the goal.”
How has Girl Talk managed to push himself further on every record? Well, he feels his level of detail in production has gone up from album to album. “When I listen to Night Ripper, it’s a record that I still love a lot and is still a lot of people’s favorite record from me. I just think the production on it is a lot more raw and a lot less thought out and put together. I think the stuff on All Day is a lot more calculated and I had a lot more source material that I could pick and choose from.” He also focused on not cramming every possible sample into the album, giving the samples some breathing room. “I feel like it’s a level of detail to really sweat over every bit and piece of it to the point that it sounds smooth enough where it doesn’t sound so disjointed and technically challenging.”
Then there is the issue of controversy, which Girl Talk has been familiar with since he first began making music. “I think when Night Ripper came out a lot of people had never really heard a record like that before, so it was a novelty to people and they were really quick to dismiss it based on that. A lot of people were really waiting for that record to die off and never hear from me again.” There have been issues of copyright laws and infringement used against Girl Talk, however there has never been any legal action filed against him. “The way the majority of the public views it is: If you use unauthorized samples it’s illegal, end of story. But actually it’s a grey area.” Girl Talk is unsure about why he has never been challenged, yet he likes to think that artists and record labels are thinking along the same lines as him. “I think a lot of the bands now are excited about being included on an album, they see in no way am I taking sales away from them and it’s potentially turning a new generation and different demographic onto styles of music.”
There are people who are openly on the same page as Girl Talk, most being his beloved fans who turn his shows into blissful mayhem. Although Girl Talk is all about interacting with the audience, he does admit that as his shows have gotten bigger he has incorporated other elements such as flashing lights, onstage dancers, and a toilet paper launcher to help engage the audience. “I do truly have to concentrate on playing the laptop 95% of the show,” he admits, “but outside of that I like to just take my body to the limits. I like to go nuts. When I get up there, I wanna just work myself until I’m ready to puke.”
Despite controversy, Girl Talk still reaches a variety of fans, from college students to congressmen. “I feel like my lifespan in the music world is maybe longer than people expected.” Perhaps what has kept Girl Talk alive is the unique ability to stitch different styles of music together while also opening up the demographic of listeners. “I definitely want to make the sort of music that a 15 year old can get down to, a college kid can dissect conceptually, and a 50 year old can get nostalgic over.”
Thursday, February 24, 2011
Hold Tight!
Photo Credit: Hold Tight! Facebook
This interview can also be found on the National Underground website HERE.
Hold Tight! is the packaged deal of bassist/vocalist James Goodson, guitarist/vocalist Jake Guralnik, guitarist Eric Kelly, and drummer Alex Wilhelm. With their song "Virginia Is Beautiful, Wish You Were Here", you'll be wishing you were in Virginia too after listening to Hold Tight! These Richmond, VA natives are proving the DIY scene is still alive with their constant touring and fresh pop punk tunes. Check out my interview with Alex as he reveals how the band got started, their love for Lifetime, and what's next for Hold Tight! Then, make sure you check out the band's Facebook and download their songs for free HERE!
ALEX: We had our first practice in May of 2009, I think. It was really slow at first because Jake and James both lived in Northern Virginia at the time. I’m not sure what their intentions were when first starting, but I didn’t really have any plans to be in a band that tours and records. A mutual friend showed me some demos they had and I thought it sounded cool. Then I wound up on tour with a record. [laughs] We played our first show in October of that year.
You guys play a lot of shows in your hometown, what’s the scene like in Richmond?
ALEX: The Richmond music scene is great. It’s the thing that drew me to the city. The kids here are really supportive and resilient to the city’s seemingly never-ending quest to end DIY music in its borders (most recently, people who ran house venues were charged with not paying entertainment taxes on donations). We get a lot of really great touring bands coming through, which gives local bands a lot of decent opportunities to play. Any success we have, I attribute it to living here!
Hold Tight! songs are so damn catchy, does one person write the songs or are they a collaborated group effort?
ALEX: Jake and James demo out songs on Garage Band and send them to everyone else. Once we know the skeletons, we get together and work on the little things. So, a little bit of both I guess? I think most of it is just trying to have fun and play the kind of music we all grew up on. Free drinks on tour, too.
Lifetime is listed as a huge influence for the band. We all know Lifetime rules, but what personally makes them so inspiring for Hold Tight!?
ALEX: I just love them for doing something different at the time. They played hardcore, but they chose a more personal and positive lyrical approach than what was going on with the area’s hardcore at the time. They played pop punk, but they didn’t sing about skateboarding. They found a good medium between the two genres and executed it perfectly. And plus, they released a new record after a decade and it’s awesome. I think that rules.
Who are some newly formed bands that have been inspiring you lately?
ALEX: We all listen to a bunch of different stuff, and obviously everything we like inspires us. So, the best “new” bands I’ve been listening to lately are Joyce Manor, Mixtapes, Direct Hit!, Go Rydell, and Spraynard.
Obviously catchy songs are a huge part of pop punk bands, what else do you think makes a pop punk band successful?
ALEX: Honestly, with how many bands are around and touring these days, I think a lot of what helps is being involved with the scene in your hometown. Obviously having good songs is the most important thing, but I’ve found that setting up shows, running a house venue, letting bands stay at your house, etc. ends up helping you a lot, especially early on. It’s a lot easier to get shows out of town (and consequently, your name out there) when you are into helping out other people and bands as well. Then, if your songs are good, it just starts to fall in line.
It’s definitely a technological age with Facebook, Twitter, Tumblr, etc. Do you think these medias are contributing to the success of DIY bands?
ALEX: Definitely. It’s pretty damn easy to be in a band. As weird as it is sometimes to keep up with all these social networking sites, keeping an online presence rarely doesn’t work in the band’s favor, at least in my experiences. I can complain about Facebook all day, but it’s half the reason I know when a band I like is coming to my town or recording.
In what direction do you see the band going in, whether it’s touring more, staying in the DIY scene, or just trying to keep the band alive?
ALEX: We’re just going to keep touring and writing songs. As long as we’re still having fun, we’ll be on the road. We’ve encountered our fair share of tour hardships, but there’s never been a time that we would rather be at home delivering pizza and bagging groceries.
If you had to choose just one song for a new listener to hear, what would it be and why?
ALEX: I’ll say “Can’t Take This Away”, just because that’s my favorite song of ours. [laughs] I also think that it’s a pretty good representation of what we do, both musically and lyrically. It’s short, fast, and positive.
What’s one thing the world doesn’t know about Hold Tight!, but that it should?
ALEX: Half of us are straight edge, and half of us get completely drunk all the time. It’s an interesting dynamic, and somehow it works.
What else can we expect from Hold Tight!?
ALEX: We’ve got a pretty fair amount of touring planned in the spring/summer. I’m from the Midwest so, even though I feel like a lot of people look over it, my favorite shows are out there. Especially in Nebraska/Missouri. We are recording an EP next month of a bunch of shorter songs that we didn’t put on the record for flow purposes (seven songs in less than six minutes, no joke). “Can’t Take This Away” is coming out on Animal Style Records in the spring, and we are recording a new full length this fall.
Thursday, January 27, 2011
Monday, January 24, 2011
Shook Ones
NOTE: I DID NOT TAKE THIS PHOTO
This interview can also be found on the National Underground website HERE.
By now, everyone has heard of the hardcore/punk band Shook Ones from Seattle, Washington. With their unique lyrics and addicting melodies, most of us dream of seeing them play live, and lie in anticipation of new songs. So with that in mind, check out this interview with guitarist Kelly as he discusses the current state of the band, the reason for their lack of touring, and what the future holds for the Shook Ones!
For the record, how did you come up with the band name Shook Ones?
Kelly: It's a reference to the Mobb Deep song of the same name. A shook one is, essentially, a coward. Although I don't know if we're cowardly, per se, we're definitely not the hostile or fighting types. Kind of ironic given the subculture we're associated with.
How would you describe the music scene in Washington? Has the band ever considered moving to get involved with a different scene?
Kelly: Appropriately enough, I no longer live in Washington. Scott and Funds are still in Seattle, Bo is in Bellingham, Jimmy currently lives in Santa Ana, and I recently moved to Santa Cruz, CA for graduate school. I did spend my last few years in Washington doing shows at a teen center for a living though, so I think I can still answer the question. I would describe the music scene in Washington as expansive but segregated. There's not a whole lot of cross-pollination between the “scenes,” and at this point it has more to do with who you know than how good your band is. There was a time where that was less of an issue – I grew up seeing Botch and the Murder City Devils at the same teen centers I ended up working with – but with so many bands going “pro,” there's not much left in the middle ground. Quality bands are either full time and trying to pay rent, or they're small time side-projects. We're more in the vein of small time side-projects – not that the band isn't important to us, but we've all got other stuff going on in our lives so Shook Ones isn't necessarily the top priority, and I can't imagine any of us ever moving somewhere for the band. I have a hard time even imagining us all living in the same city at this point.
Shook Ones' latest record was The Unquoteable A.M.H., which everyone is still gushing over. What do you think made the record so relatable to people?
Kelly: We had fun making it, and I think that makes it fun to listen to. It was the first time where everything just fell into place as far as writing and recording goes. We knew what we wanted, we were working with the people we wanted to work with, and we had the time to do the things we wanted to. Most of our other recordings involved compromises of some sort, but this time we kind of had it all, and that translated well. We're real proud of it, so we're stoked other people are too.
Shook Ones songs have really creative song titles. How do you come up with them?
Kelly: As Scott writes the song titles I can only give a cursory explanation, but most of the song titles are inside references of some sort. Not jokes, per se, but references to things that he finds interesting or appropriate, i.e. “For Collards” refers to the food Scott fed to his pet lizard, the late, great Doobler.
After the song “Order Form” came out the label as a political band was thrown out there. Would you guys say you’re a political band at all?
Kelly: I don't think so. We have ideologies that come out in our songs and actions, but I think being a “political” band entails some sort of agenda, which we definitely don't have. It's more just an expression of who we are and what's important to us. Sometimes that's gay marriage (which shouldn't even be political, it should be common sense), and sometimes it's hash browns.
The band draws influence from Lifetime and Kid Dynamite. What’s one song you would cover from each band?
Kelly: Well, we've been known to do a cover of “Turnpike Gates” with friends from time to time, so I guess that's the Lifetime song we'd pick. For Kid Dynamite, I think I'd go with “Heart A Tact” - it's slightly more obscure so it'd be less boring and it's probably the most appropriate song for us to play. I don't think we'd ever do a Kid Dynamite cover, though. If we're not bringing something interesting to a song, musically, then there's not a whole lot of point for us. We did Lifetime with friends (from Easel, Stay Gold, Sinking Ships) because it was a fun thing to do.
Shook Ones have bounced around from a few different record labels. What are your thoughts on the record industry?
Kelly: At this point, unless you're on a big label with lots of connections and money to spend on marketing, labels are mostly just lenders. They pay for bands to record and press records, and that's about it. These days, most of the attention a band gets comes by virtue of the band's hard work. People buy records because the band writes good songs. People go to shows because the band is sweet live. Labels have very little to do with this transaction. That doesn't mean that labels aren't important – Funds and I both dabble in that game, but as an “industry” it's kind of silly. We get along fine with all the labels we've worked with, we've just learned that if you want something done, do it yourself.
Shook Ones have toured a lot in the past, but lately I hear people say they wish you toured more. Would you agree that you tour less now and how important is touring to the band?
Kelly: Definitely tour less now. As I mentioned before, we're pretty spread out and busy. I go to school full time and teach 6th grade. Scott is as carpenter and working on his own business. Funds plays in Black Breath, which is a relentless machine of a band. Jimmy plays in Dear & Departed and hangs out in the sunshine. Bo lives in domestic bliss. The time where we would drop everything and get in a van has long since passed; we've got other priorities now. Touring was great and still is when we get a chance to do it, but it's definitely a sacrifice. It's damn near impossible to have a successful band if you aren't touring on a regular basis, and it's damn near impossible to have a successful life if you are touring on a regular basis. We still like to get out there when we can – playing shows is my favorite part of being in a band – but we're past the point in our lives where we’re willing to sacrifice other parts of being a functional human being – like health insurance, relationships, and jobs that actually pay rent.
Are there plans for a new record/songs? What’s 2011 look like for the Shooks?
Kelly: We're in the process of trying to figure out what our next step is. It's not easy to get everyone in the same room to talk about what we want to do, much less actually practice and write, so it's a slow process but we're working on it. New songs are the top priority and we're gonna have a writing session before the winter ends, with the goal of getting something out by summer. I finish school in July and Black Breath will be lying in wait for their next record to drop, so hopefully we'll get out for a little summer touring. And I imagine we'll be playing Fest again. Beyond that, only time will tell.
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